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| Serenity Set about six months after the last events seen on the TV show. Whedon says, "The movie is bigger, more epic than anything you can do in a series." |
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| | #16 (permalink) | |
| The Enigma of Steel Join Date: Feb 2006 Location: Mississippi
Posts: 838
| Re: Serenity Quote:
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| | #17 (permalink) | |
| Damsel in this dress Join Date: Aug 2004 Location: United Kingdom
Posts: 2,763
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| | #18 (permalink) | |
| Registered User Join Date: Apr 2006 Location: Cambridgeshire
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| | #19 (permalink) |
| Registered User Join Date: Apr 2006 Location: Germany
Posts: 1,433
| Re: Serenity Is it just me - or does anyone else think the movie wasn't in the same league as the series? Don't get me wrong, the movie was very good and I'd like it all the same regardless of my feelings about the series, however, the series is just about the best thing I have ever seen! I loved that show. |
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| | #20 (permalink) |
| ScottSF Join Date: Apr 2006 Location: California
Posts: 413
| Re: Serenity I had no such feelings. I thought the movie was in the exact same league as the series. The only real difference is the movie didn’t leave us with quite the same warm-and-fuzzy because some of the characters didn’t make it. I always liked how the show didn’t pull punches: if you’re in a gunfight more likely than not, you’re going to get shot. That’s what happens when bad guys aim (I guess it helps to not have big white helmets that you can’t see through). My thoughts on Firefly and Serenity are the same; I don’t see them as any different because one was a theater movie. Fireflenity/Serenifly . . . oops. Shows in the Firefly ‘verse are really great with Characters, cultures and plots (yay) and embarrassingly light on science (what the hell could they possible mean by ‘the edge of space’?). Although I think it did seem that they tried to make the movie a little less “cowboy.” Maybe they did that to please the execs. Damn execs, any good studio exec should know to stay out of the creative process where they don’t belong. These are the same guys who read the Matrix screen play and said “duh, I don’t get it.” It seems I’m not getting any better at keeping my postings on the same track. I need more Fruity Otie bars. |
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| | #21 (permalink) | |
| Moderator Join Date: Jun 2005
Posts: 809
| Re: Serenity I think "Edge of space" means the edge of the solar system - ie past all of the inhabited planets. As Joss Whedon said in his commentary for the Serenity episode of Firefly, he tried to make it as real as possible, other than for all of the utterly fantastical parts. But I agree that both were as good as each other. If I had to say I preferred one, it was the film, because the characterisation (particularly amongst the "bad guys") was stronger and it was willing to take brave decisions about character's dying. Quote:
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| | #22 (permalink) |
| Shiny! Let's be bad guys. Join Date: Jul 2006 Location: Northamptonshire
Posts: 1,747
| Re: Serenity one of the reasons the series is so involving, is that Joss tried to get the characters into situations that we can all empathize with. Star Trek's ambassadors and border conflicts are a world away from your average couch potato's problems; whilst putting food on the table, keeping the fuel coming, and repairing the overdue vechicle is something more people can identify with. The film's moral side helped, but it had to be a serious enough venture to warrant the big screen, and it lost a lot of its down to earth "cattle rustling" adventure feel. Both are good though ![]() |
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| | #23 (permalink) |
| wandering & wondering Join Date: Apr 2006 Location: California
Posts: 946
| Re: Serenity Interesting point, Joel007. I've heard Joss say in interviews that the TV series intentionally deals with "everyday people" rather than large, mythic heroes solving galaxy-wide problems. And the film does rather push Mal into the realm of larger problems, insofar as he takes on the task of ensuring that "the rest of the 'verse" knows the truth. |
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| | #24 (permalink) | |
| ScottSF Join Date: Apr 2006 Location: California
Posts: 413
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| | #25 (permalink) |
| Registered User Join Date: Jun 2001 Location: Gwynedd
Posts: 3,579
| Re: Serenity Couple of things strike me:- It was said by Isaac Asimov that "Science Fiction is the exploration of people to the technology that surrounds them". (For People consider any sentient organisim; human, octopus or other). Can't really find any grounds to dispute the chap and it seems to make Firefly/Serenity as good a Science Fiction story as any. As for the 'Science', the important part is that the story (and therefore us) believes the science to be true. Firefly also does that very nicely- Can't say I have ever seen anybody point out that the Firefly solar system cannot exist (for long), we just accept it because it makes the story work. |
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| | #26 (permalink) |
| wandering & wondering Join Date: Apr 2006 Location: California
Posts: 946
| Re: Serenity I just ran across Orson Scott Card's review of Serenity. He calls it "the best science fiction move, ever." Like Ray and many of us who have posted in this thread, Card focuses on the people, on the characters and the community they build. (And Card surely knows community, as evidenced in his own books.) Card says, "The key to this kind of movie is that you create a community that the audience wishes they belonged to, with a leader that even audience members who don't follow anybody would willingly follow." That sums it up for me. And it's probably the reason I find myself wanting to convert others to the film and to the Firefly 'verse. The review is quite interesting and thoughtful, and it's written in Card's always engaging style. Here's the link: http://www.hatrack.com/osc/reviews/e...30-extra.shtml |
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| | #27 (permalink) | |
| Reetou Diplomatic Corp Join Date: May 2001 Location: North-west UK
Posts: 3,081
| Re: Serenity Quote:
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| | #28 (permalink) | |
| wandering & wondering Join Date: Apr 2006 Location: California
Posts: 946
| Re: Serenity Quote:
Do non-SF folk watch and enjoy the movie or the TV show? I know of one (my boss, who enjoyed the show when I loaned her the DVD). There are many fantasy fans on Chronicles, but I wonder if they are avoiding Firefly for the same reasons they avoid science fiction. | |
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| | #29 (permalink) |
| Heretic Join Date: Jun 2004 Location: India
Posts: 1,352
| Re: Serenity For what it's worth, Ravenus' review of... SERENITY - Joss Whedon At the outset I have to say I'm not one of the dyed-in-the-wool Joss Whedon fans. I have not seen the Firefly series of which this film is an offshoot and the VERY little I saw of Buffy The Vampire Slayer did nothing to enthuse me towards watching it. That said, Serenity is one of the really enjoyable futuristic action romps I've seen recently and essentially captures the mixture of swashbuckling adventure with attention-worthy story-telling that was so sorely missing from other recent efforts in this genre. Serenity starts off explosively, introducing characters and establishing plot-points with a celerity that's ovation-worthy in this (post-LOTR) time of hideously-extended film narratives. A psychic girl who is being tapped by the Big Brother-esque Alliance government to become a living weapon is rescued by her brother. As pursuit for the fugitives begins with a mission-obsessed Operative leading the hunt, the siblings hook up with the Serenity, a smuggler ship helmed by the Han Solo inspired Captain Mal and his crew. Mal gives them boarding on his vessel; in return, much to the brother's displeasure, he uses the girl's psychic powers to aid his felonies. In one such expedition, her psychic powers help to save them from a universally dreaded race of cannibal marauders, the Reavers. Things get significantly more hairy for Capt. Mal with his stealth-profile blown when the waif-like girl River suddenly breaks out as an unstoppable fighting machine racking up a score of beatdowns in a bar, seemingly triggered by the word, “Miranda”. With the Alliance hot on their heels and ruthlessly staking out all their hiding places, Mal decides to unravel the mystery of Miranda. This leads to a thrill-packed adventure with the Serenity crew battling seemingly impossible odds against both the Alliance and the Reavers, and discovering the secret that the Alliance is working so desperately to keep from being revealed. To Whedon's writing credit the story always moves along at an invigorating pace adequately peppered with action sequences, and there is a new turn at every corner. The central plot point of the Alliance's secret is a worthy premise for the entire proceedings. The main characters are fairly well-drawn, especially Capt. Mal, River and the Operative (albeit a philosophy-spouting black man wielding a samurai sword is just too derivative of another SF movie series) though apart from Mal's deputy Zoe, an able and mature female protagonist, the rest of Serenity's crew can be described without losing much detail as the geeky pilot, the mushy engineer and the big lug (Firefly viewers may be able to draw more from them). The Futuristic-meets-Western look of the film, which draws a lot from John Barry's work for Star Wars, is commendable. The cast are generally apt for their roles, although Nathan Fillion as Mal lacks the devil-may-care charisma that Harrison Ford brought to Han Solo and he also seems uncomfortable with the physical action sequences. Summer Glau as River is both convincing as an actress and a visual delight when she breaks out into her balletic action routine. Gina Torres brings presence and a controlled fire to her role as Mal's deputy Zoe. Weak points: While Whedon's writing is generally good, he suffers from being too much in love with the sound of his words and it sometimes feels like adventure game where every dialog option is being accessed regardless of its value to the proceedings. Also, he is horribly inept at writing and directing romance or emotional scenes and most of these play out in a cringing amateur fashion. Thankfully these are at a minimum in the packed narrative of Serenity and most of the film benefits from yarn-spinning and vigorous action that easily matches the best of the old-skool SF adventure films. |
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