| | #76 (permalink) |
| Brian G. Turner | Re: GRRM and women characters My personal opinion is that GRRM's characters are well developed for what they need to be, regardless of gender. However, my other half always hated the general threat of violence to women in the books. My feeling is that if GRRM had tried to *realistically* portay women as we knew them in the mediaeval period that inspired him, then most of the female characters would be little better than some line between Sansa and Cersei. What I think he has done that is very clever is to try and write strong female characters in an age and setting where normally they would neither survive or thrive - and in doing so, keep at least a number of female readers very much hooked on these characters. Arya is a particularly good example, I think, of one that comes up frequently among chronicles members as one to identify with and cheer. Personally, I don't think many of his male characters really comes across as good examples of men - I can only think of Ned Stark as someone worth aspiring to, and even he had some fatal flaws. |
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| | #77 (permalink) |
| Senior Member Join Date: Jun 2008 Location: Washington
Posts: 623
| Re: GRRM and women characters I believe that GRRM is as misogynist as Margaret Atwood who wrote "The Handmaid's Tale", that is, not. The people who are abusive to Sansa are not portrayed as nice people. In fact, they are some of the worst and at least one gets his commupence. Even the Hound, who is a pretty hard guy, is uncomfortalbe with her treatment and rescues her. She goes from being a socially well integrated character with teenaged flaws to one who shows the effects of what she has experience. I imagine that her survival strategies were not atypical for the time period, and they work for her. Her actions have fatal consequences, but she is learning queenly qualities, self restraint, and role playing. It shows more quickly in the tv series. I think Sansa learns that life is not a fairy tale, even if people are expecting it to be such as a fantasy. Will she figure out who her friends are though they don't look much like what she imagines are romantic knights? She is even learning to be motherly to (eww) Robert. I agree that the medieval world for noble women was probably a lot like her fate. There was a lot of enforced passivity, or nasty propaganda, if they were not. As far as 13 year olds being married and being forced to have a child, look to Margaret Beaufort, Henry VIII's gran. So Dany isn't out of line. She is plucky and has teenaged crushes--is that so bad, or do we expect her to be a chaste widow. I mention Elizabeth I because, although she was a conscientious queen and headed a "golden age", she was also flirty. She had a strange relationship with her step father, who was beheaded for his actions. We know Dany is good at heart because Barristan admires and supports Dany and he is the epitome of honour. Eliz. did need her excellent advisors, a navy and army, though. Bring on the Volantine armada. I think GRRM is quite sympathetic to Arya's resilience and plight. Same with Brienne (Joan of Arc has a pretty rough time for crossdressing). He even gives Cersei some extenuating circumstances, and I think he goes over the top with the religious shaming to deliberately make us uncomfortable with that. Shaming women for sexuality happens to this day--should we accept it? Or are we stuck in "knights and virgins"? Ramsey is abusive of his wives and everyone else, and he is properly seen as a monster, even by his own very icy father. I don't think GRRM sees prostitutes or women who are driven to that to survive as necessarily evil just for the sex. Shae, by the way, does not have a heart of gold. Chatalya (?) has sex as part of her spiritual mind set. That was more common before Roman values took over. The Romans whose laws and government are used as a model by the United States. The wildling women are quite empowered. You know nothing Jon Snow. (But I think he learns his lessons) |
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| | #79 (permalink) |
| Registered User Join Date: Jun 2011 Location: New York
Posts: 27
| Re: GRRM and women characters I really don't think he is a misogynist, he is just being period appropriate. I know its a fiction, but the society is a spot on representation of medieval Europe, and this is imply the way that gender politics worked. If anything, women seem to have somewhat more power in this world than they would in our equivalent time. Think about Dany fighting and rallying thousands of followers to her cause. As much as we see characters hating her, so many more love her. She fights and men from all over the world want to join her cause (Quentyn, Tyrion, Victarion, and Griff to name a few). She didn't have to manipulate these people to join her cause. Melisandre has converted a major political player and alot of followers (including an entire society of wildlings) to her belief systems through her action, not really through manipulation. Arya only looks boyish as a disguise. Sure she is doesn't want to be a "lady," but she just wants to be outside the role her society has set for her. Very independant. I really think you guys have gotten caught up in all of the plotting and manipulation, and it has narrowed your viewpoint |
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| | #80 (permalink) |
| Sunset colored eyes Join Date: Jul 2007 Location: California
Posts: 923
| Re: GRRM and women characters Perhaps GRRM does have a problem writing women, but it's no surprise to me because he's not a woman. I think he does the best that he knows how to do, and that for the most part, he doesn't dwell very much on the fact that one character is male, and one is female. Not the way some authors, like Robert Jordan, do. Personally, I don't think anyone ever truly portrays the opposite sex sufficiently to please everyone who might read their stuff. I feel fortunate that GRRM has a good grasp on how to write men. Both Robert Jordan's and Terry Goodkind's depictions of men and women are atrocious. As has been mentioned already, I think GRRM has developed some intriguing female characters. It's a common misconception that Catelyn "always puts her family first, and everything else second, and that her path is a "straight line" whereby you can always telegraph what she will do next. Perhaps the television series portrays her that way, GRRM, however, did not. The way GRRM depicts Catelyn, she actually puts the good of the realm before the good of her family by convincing Eddard to go south, despite the fact that after the last time she watched him go south, he returned with a bastard that she was forced to suffer for almost 15 years. In fact, it's only after her family has been torn apart that she actually tried to salvage what she could of it. How many other characters in ASOIAF would risk the well being of their family for the good of faceless people living someplace else? For all she knew, anytime Lord Stark is out of site for a good enough length of time, he loses site of his marriage vows. Eddard, on the other hand, did seem to lose his wits with age. During Robert's rebellion, he proved himself to be an exceptional battle commander. It can seem like he always turned up in the right place at the right time to save the day, and eventually he took King's Landing. This would suggest that young Eddard had a good grasp of his allies and enemies, where they all were positioned, and what they were all capable of. The man who went south to rule as Hand of the King was altogether different. He was a good enough detective, and he was honorable, but in almost every other way, he was a failure. He was a very bad judge of character, and was totally unprepared for what lay ahead of him. GRRM has a better grasp of men than women. But should that really surprise anyone? In the end, he doesn't really portray many characters at all in a very favorable light. I've read a few female authors who I've enjoyed. Lois McMaster Bujold's Vorkosigan series was great. Sometimes her protagonists are men, and sometimes they are women. I love all her characters, but I think her women are probably more real. The reasons for this are obvious to me. I don't know that I've ever read an author who didn't rely somewhat on stereotypes in order to portray the opposite sex. |
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| | #81 (permalink) | |
| Fantastical historian Join Date: Sep 2007 Location: Cambridgeshire
Posts: 1,369
| Re: GRRM and women characters Quote:
(I also find it interesting that GRRM named his scheming queen after the Ancient Greek sorceress who turns Odysseus's men into pigs. Of course he changed the spelling, perhaps to prevent his readers pronouncing the name Circe as "Sirky" ) | |
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| | #82 (permalink) |
| Thicker than water Join Date: Mar 2007 Location: Australia, New South Wales
Posts: 729
| Re: GRRM and women characters Anne - that's so strange, I never made the Cersei/Circe connection, and I study Greek archaeology! But now that you point it out it makes complete sense to me. |
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| | #83 (permalink) | |
| Sunset colored eyes Join Date: Jul 2007 Location: California
Posts: 923
| Re: GRRM and women characters Quote:
I'd say trusting Cersei was perhaps the final nail in Ned's coffin, but trusting anyone in King's Landing was what endangered Ned's children, started a war, and started Ned off on his journey toward the grave. What you say about politics and battle is correct, and yet, in many respects, the two can be approached in much the same manner. Before Ned arrived in King's Landing, he knew better than to trust any of the people on the small council, but when he arrived, instead of ruling, he let them lead him around like a puppy at almost every turn. I find some of his mistakes nearly inexcusable. On the battlefield, Ned was expected to lead men, and I'm certain he knew better than to be caught trying to lead men he couldn't trust, or trusting men he couldn't lead. Someone of Ned's experience as a ruler, and a battlefield commander, should have been far better prepared to handle King's Landing. | |
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| | #84 (permalink) |
| The North remembers Join Date: Jul 2011 Location: Afghanistan
Posts: 803
| Re: GRRM and women characters I dunno about all that, CoK. I work in Afghanistan and I'm surrounded by people who are skilled at executing an operational plan but utterly drown in the realm of office politics. In war you know clearly, for the most part, who are your enemies and who is fighting on "your side". With politics, you can never be sure. And since the stakes are usually exchanges of power rather than life or death, it's easier for people like Littlefinger to move between the two. You really can't even blame Ned's death on the politics of King's Landing. Certainly you can to an extent, but really....they intended for him to take the black, until that little s*** Joffrey fouled up the plan. In fact, Joffrey is more responsible for the war than Ned is, since he's the one who sent a henchman after Bran in the end. Thank god his reign as king was short lived....just look at all the problems he caused before he ever wore the damn crown. |
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| | #85 (permalink) | |
| I always pay my debts. Join Date: Oct 2011 Location: MIDDLE EAST
Posts: 987
| Re: GRRM and women characters Quote:
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| | #86 (permalink) |
| Fantastical historian Join Date: Sep 2007 Location: Cambridgeshire
Posts: 1,369
| Re: GRRM and women characters Perhaps nowadays, but we're talking medieval warfare: a bunch of well-born men with big swords going up against their king. The historical figures on whom GRRM models his characters included some pretty flawed and incompetent individuals... However this is totally off-topic. Guys, take it outside, please |
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| | #87 (permalink) |
| Senior Member Join Date: Jan 2008 Location: Hertfordshire
Posts: 1,217
| Re: GRRM and women characters I think I'm the only person I've ever heard of who read the first book and thought "That was really good stuff, but I don't want five more of the same to find out the ending, thanks". But anyhow, on a slightly broader note: I've been writing novels, published and unpublished, for about 10 years, and I have written about two good female characters, both of whom I suspect could be written off easily as crude stereotypes. The fact is that "She is strong-willed and struggles to be more than a reactive doormat" is the flip side of "She is a man in a woman's body" or "She is completely unrepresentative of women in the society of X and is therefore more a freakish anomaly than a credible woman". Similarly, "She has more traditional female interests, but is still a strong and rounded character" becomes "She's girly until you want her to be a bloke". You just cannot win if people really don't want you to, and this counts double if you are a man, because you are expected to have all sorts of wrong, usually pervy, motivations and greater difficulty in comprehending the mysteries of women (not that that's a bit of crude stereotyping in itself, of course...). When you enter the arena of gender, class, race and that sort of thing, you as a writer are instantly exposed to criticism. Someone out there will be able to come up with something if they try hard enough. It all depends on the angle from which you approach a character. I am not suggesting that Martin is beyond criticism (I doubt he is, but from A Game of Thrones I felt he did a reasonable job of making everyone almost comically miserable) or that anyone in this thread is making unfair points, but that the concept of misogyny and proper portrayal of women is probably open to as many (perhaps conflicting?) interpretations as feminism itself. |
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| | #88 (permalink) |
| Fantastical historian Join Date: Sep 2007 Location: Cambridgeshire
Posts: 1,369
| Re: GRRM and women characters Yes - the feminist critique can go a bit too far, as this wonderful tumblr site points out: http://isthisfeminist.tumblr.com/ |
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| | #89 (permalink) | ||
| Sunset colored eyes Join Date: Jul 2007 Location: California
Posts: 923
| Re: GRRM and women characters Quote:
I personally have a strong feeling that Rob was warging in and out of Grey Wind in order to gain tactical advantages over Tywin. Because Rob was never a POV character, we will probably never know whether he was, or was not. We can be pretty sure that Eddard was not warging into an animal in order to gain advantage over his enemies. In many ways, Ned handled war altogether different from Rob, whether he was warging or not. The fact that he and his army was 1. there to save Robert from Randall Tarly, when Robert needed him 2. there to save Stannis and Storms End from Mace Tyrell when Stannis needed him, and 3. was able to take King's Landing to virtually end the war, can't be ignored. As a rebel, Eddard was treading dangerous water by trusting any man very far, and yet, he was able to move about Westeros with a sizable army in a way that allowed him to be exactly where he needed to be in order to divert disaster time and time again, and eventually end the war. Leading a campaign like that would be sheer brilliance by anyone's standards. Such a leader would have to be a great judge of character under any circumstances, politically, or martially. In King's Landing, Ned was totally different, trusting the word of any man who would give it out to him for free. Quote:
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